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February 12, 2006
The Constant Gardener
I watched this last night on DVD.
Whenever possible I buy the full–screen edition of a movie so as to avoid the black bars above and below.
True — that's not the way the director wanted it to be seen but hey, that's life.
I'll keep doing it until the first company to take my invention into production offers me a cinemaTV™.
A quiet, meditative movie for the most part, sort of like "Syriana" in that it takes an explosive topic and mutes it under nuance and dialogue instead of explosions and all.
And we get to visit Africa, the gritty, vibrant continent that one day, someday, will rise from its wreckage like a phoenix.
I read le Carré's novel a couple years ago and as best I recall it was quite different in terms of details from the film though the Mcguffin (as it were) — big pharma's using the wretched of the earth as a testing ground for drugs not yet ready for prime time/First World evaluation because of rather nasty side effects such as death — remains the same.
Ralph Fiennes and Rachel Weisz occupy the screen about 90% of the time which is just fine because both are wonderful actors.
A most enjoyable 129 minutes indeed for my $17.99.
The final credits go on forever and are wonderful.
The music is superb as they scroll by.
After a while I started counting people and I would bet there were over 1,000 names listed in the credits: just the drivers at all the different locations numbered in the hundreds.
What an amazing, impossible thing it is to produce a major motion picture.
I cannot imagine doing such a thing, on such a grand scale and involving the coordination of so many people, places and things.
Truly a minor miracle of present–day life.
FunFacts: Weisz is pronounced "vice" and Ralph is pronounced "rayph."
February 12, 2006 at 10:01 AM | Permalink
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Comments
Interesting comment about not being able to imagine the scope of such a project--I was the same way until I bought the King Kong Production Diaries on your recommendation. Now I can imagine the scope--but it's even bigger than I thought!
Posted by: Bob | Feb 12, 2006 2:50:42 PM
You got's to go widescreen man. Forget director's vision, I own a full screen VHS and a widescreen of Alien and it made me aware of the biggest reason to go wide. Sometimes if there is no way to format a shot and make it look right... they cut it. The planet and ship in Alien got a lot more screen time along with the alien. I makes me wonder how many other films have fallen to this fate.
Also, The Good, The Bad and The Ugly can only be watched in widescreen. Hands down.
Peace.
Posted by: Neosamurai85 | Feb 12, 2006 1:27:52 PM
"Whenever possible I buy the full–screen edition of a movie so as to avoid the black bars above and below."
Get a better tv and turn off the lights.
Simplest thing out there. A better tv will have 'blacker blacks' that don't show up in the dark and the dark will keep you from focusing on the surroundings. You won't even notice the difference in 'wasted space' (as my dad would like to say).
This really was a cinematic masterpiece...I don't think I would have liked watching it at home. Ms. Weisz is one of the most beautiful women out there and you don't get to see her in all the intended beauty if you are cutting out a third of the scene just to fill up all the available pixel space.
Posted by: clif | Feb 12, 2006 11:24:17 AM
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