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September 20, 2006
'What is Art?' – by Karl Zipser
Long story short: It's moving the goalposts so hoi polloi are always in the "red zone" but never score.
Here's his essay.
- What is Art?
In our time, the answer to this question is under the control of the art elite. The answer to the question is simple:
"Art" is x,
where x is a variable. The value of x is approximately "something that an ordinary person could never understand."
The reason that x is a variable, and not a constant, is because its value must continually change. If ordinary people begin to understand what x is, then the value must change, so that they do not understand what x is. The reason for this is simple also: If people understood what x was, then they could answer the question "What is Art?" themselves, and there would be no need for the art elite. Thus, the art elite must continually change x, as a matter of survival.
Even though ordinary people cannot understand art (by definition), they can still see it. True, the art elite has developed a form of art called "conceptual art", but even this is given a physical manifestation. The art elite has not yet, to my knowledge, succeeded in selling tickets to an empty museum.
To continue, ordinary people can see art. But what they see puzzles them, and often they do not like it. In general people are content with things they do not understand, if they like them. They may even be tempted to think they understand the thing that they like. In order to prevent this presumption, the art elite has found it necessary to further refine the definition of Art. Thus,
"Art" is x,
where x is something an ordinary person could never understand, and and also something that an ordinary person does not like.
It is clear that the interests of the art elite do not coincide with those of the ordinary person. An ordinary person would like to be able to go to a gallery or a modern art museum and see something he or she likes, and perhaps even understands. The art elite must not allow this to happen.
How can we escape the power of the art elite? It might seem like a good idea to abolish the word "art" altogether. Consider the following situation: you are in a modern art museum, and a member of the art elite points to a pile of plastic dog shit on the floor and says, in a reverent tone, "This is Art." If we abolished the word "art", then the sentence would be reduced to "This is . . ." The member of the art elite would be left with an embarrassing silence. And what would be left except a plastic pile of dog shit?
To abolish the word "art" would throw the art elite off balance, but it would not take away their power. The reason is that "art" is only a word, and abolishing the word does not abolish the concept it refers to. It would only take a short time for the art elite to confer and settle upon a new word or symbol (perhaps even x) to refer to the same meaning (or lack of meaning) that the word "art" used to refer to. And we would be no better off than before, except that we would have x museums instead of art museums.
The best way to deal with the art elite is to attack the very source of their power, the control over the question, "What is art?" The way to do this is to make a new definition:
"Art is what [fill in your name here] likes to look at."
This might seem too simple to be useful. But please, take a moment to think of the implications.
Full disclosure: I don't pay Karl Zipser to retain me in his address book — but I should.
It's still a minor mystery to me how it is that bookofjoe should somehow have overlapped Venn diagrams with him such that he continues to keep me around.
Maybe, kind of like me with Humphrey, Karl just likes my treadmill style.
[via Karl Zipser's Art and Perception at zipser.nl, and Hanneke van den Bergh]
September 20, 2006 at 10:01 AM | Permalink
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Comments
"Historically, there have been times of great art that was appreciated by the public. What is different now?"
Which times did you have in mind? Anytime in the past century or two?
One of the things that's different is the death of the patronage system, where artists produced what the customer (the church, the government, the wealthy) ordered. But churches and governments don't buy much art anymore. While that means today's artists are unlikely to be granted large commissions, it freed them from the limitations of the benefactor's tastes. They could create whever they wanted.
Also, there are now far more channels for artists. Not just painting and sculpture, not just churches, government buildings, mansions and galleries. In fact, the gallery system is rather quaint and probably on its way out. Most artists today work in print or electronic media, and, in doing so, they're in a different kind of patronage system, producing art the general public will consume.
If anything, art has been democratized. Art was once a luxury. Now it's everywhere, not just hanging on the wall of a hushed white room.
Posted by: Al Christensen | Sep 21, 2006 3:09:16 PM
Al Christensen, I think you give a refreshing alternative look at the question. You are right about artists' trying to push the borders. That is what I attempt to do also. And of course, scientists do this all the time, and no one expects the average joe (sorry Joe, not you) to understand all the science. But science and technology do bring things to the lives of the average joe (not always good things, true). But do we intrepid artists do that as well in or search for the new? There is no doubt that there is a general dissatisfaction among the general public with contemporary art. Historically, there have been times of great art that was appreciated by the public. What is different now?
Posted by: Karl Zipser | Sep 21, 2006 1:13:47 PM
This kind of makes me think of musical improvisation, how some of the great recorded solos of classic jazz have been revered and memorized note for note by fans who would get upset when they'd hear their idols playing those tunes in person because they didn't play it "like it is on the record." It's like, "I like those notes. I want to hear THOSE notes." But the player moved on. When some kid complained to Bix Beiderbecke that he'd played a famous solo differently he said, "Yeah, kid, ain't it great?"
Maybe art is movin' on. That, or dog shit.
Posted by: Flautist | Sep 20, 2006 1:04:35 PM
The answer to "What is art?" keeps moving because art is an exploration. That's why the so-called hoi-polloi are always on the out -- not because the artist's (well, most artists) intent is to scam the public, but because he's off pushing the borders, looking at things from a different perspective. That's where the artist want's to be, but it's where most people aren't interested in going. Most people like their creativity in a comfortably familiar context. Zipser writes as if he expects art to be all neatly codified and designed to have the broadest appeal. Well, there are plenty of artists targeting that market. Other artists are asking, "Yeah, but what else is out there?"
Posted by: Al Christensen | Sep 20, 2006 11:41:34 AM
Math used to define art. Such a merger of the two culturs. That C.P. Snow guy would be so pleased.
Posted by: Mb | Sep 20, 2006 11:29:46 AM
Now Joe, what a thing to say. I enjoy your site a lot, although it is difficult to read every single line, because there are so many!
What became of your idea for a marker on plastic bag openings, by the way? Those bags continue to irritate me (although of course, if you pay attention to which side you pulled off the roll, it should be a problem. But come on, who focuses on trash bags when taking out the trash?)
Posted by: Karl Zipser | Sep 20, 2006 10:48:45 AM
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