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November 17, 2005

Kauai street sign

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November 17, 2005 at 04:01 PM | Permalink | Comments (1) | TrackBack

Mini Clock

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These little devices, called "Time Tags," measure 1" x 1/2".

The idea is you clip one onto your blouse, cuff, or bag so you don't have to wear a watch to know what time it is.

I guess it's the same kind of thing as not having to be a weather man to know which way the wind blows.

Or is that not quite the right analogy?

No matter — the reason I'm buying them has nothing to do with telling the time.

Because I'm going to use double–sided tape to affix one to the center of my forehead, between my mask and my OR hat, during some long, boring surgical procedure.

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And when the surgeon happens to glance up it'll be kind of a different way of suggesting he get on with it so we can all go home.

Ha.

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$18 for two here.

November 17, 2005 at 03:01 PM | Permalink | Comments (0) | TrackBack

zoom Zoom ZOOM

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Ben Willmore recently gave a mini–tutorial on his blog, whereisben, about how to access the "Zoom" function built into every Mac.

You know how, when Steve Jobs gives his semi–annual seances masquerading as Apple unveilings, he zooms in and out of stuff on the big screen behind him?

I'd always thought that was something he could do because of some souped–up, tricked–out computer and remote he'd had specially created for his demos.

But I was wrong — Steve put the very same capability into your Mac and mine.

I know this to be true because, just now, using Ben's superb instructions that even I, technoDolt to the stars, was able to execute the first time with success, I made my beloved iMac zoom Zoom ZOOM in on stuff and just as easily pull back.

Go here to read Ben's step–by–step, illustrated instructions.

But if you are just so busy you can't even take the time and trouble to do that, here's the long story short:

1) Click on the apple icon in the upper left corner of your screen, then choose "System Preferences"

2) In the second row from the bottom, on the end, is this icon:

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3) Click on it (no, booboo, not the one above, the one in YOUR computer's System Preferences. Sheesh)

4) A window will open that, in the case of my computer, was preset to say "Turn Off Zoom"

5) Click on it and it will then say "Turn On Zoom" (top)

6) From now on, anytime you want to zoom in on something on your screen, you simply position the cursor over the area you've chosen, then hold both the Option and Command keys down (they're the two right next to the space bar, on both sides), and press the + sign

7) To pull back to the original size, hold down the Option and Command keys and press the –

Slick, eh?

I love stuff like this.

Like the time I accidentally discovered how to print without the mouse, using only my right hand:

1) Press the Command and P keys down simultaneously

2) After the Print window unfurls, hit the Return key

Amazing.

I wonder how many other wonderful things are hidden within my machine?

Probably thousands.

But that's OK.

I remember reading Steve Wozniak's biography and him saying that the Apple philosophy is to continually unveil great surprises to its users.

I like it.

My kind of company.

[via whereisben]

November 17, 2005 at 02:01 PM | Permalink | Comments (1) | TrackBack

Pistachio Nut Opener

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Sometimes you go nuts trying to pry one open.

Break a nail too.

Perhaps, like me, you've tried using your front tooth as a lever.

There is someone reading this who's cracked one — a tooth, not a pistachio nut — doing just that.

Never again.

Now comes this nifty little device, crafted from solid sterling silver and housed in a black velveteen carrying pouch so you can take it anywhere.

$25 here.

Why the company doesn't offer it on a sterling silver necklace is beyond me.

November 17, 2005 at 01:01 PM | Permalink | Comments (1) | TrackBack

The Collection and Library of the Worshipful Company of Clockmakers

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Located in London's Guildhall, it's considered "one of London's best kept secrets."

Note that it is "closed one morning a week for rewinding, usually Monday."

Simon de Burton wrote about the clockmakers' museum in a piece that appeared in the November 11 Financial Times; it follows.

    Clockmakers' Museum: Tale of Intrigue, Invention, Ingenuity

    "One of London’s best kept secrets" is a much over-used phrase, but it is an accurate way to describe the Clockmakers' Museum tucked away among the maze of grand buildings which constitute Guildhall.

    The exhibits encompass the entire history of timekeeping in words and objects and range from an example of the smallest screw used by the Waltham watch company of America (47,000 of which will fit inside a thimble) to a broken chronometer balance spring which was successfully riveted back together by a Chinese watch maker almost 200 years ago.

    The museum unfolds a tale of intrigue, invention, ingenuity and, in particular, eccentricity, which is the story of The Worshipful Company of Clockmakers, an extraordinary livery company granted its charter by King Charles I in 1631.

    From the 17th century to the turn of the 20th, its members transformed the City of London into a clock and watchmaking centre that dominated the world, with English makers such as Dr Robert Hooke, Thomas Mudge and George Graham introducing improvements that proved vital to the progression of timekeeping and which remain intrinsic to the science today.

    According to the museum’s infectiously enthusiastic curator, Sir George White, the Company never got round to acquiring grand premises in the City of the type still enjoyed by other guilds because its members frittered away the funds on wine, women and song, finally emptying the coffers completely in the early 1790s.

    "It was then that they began meeting in the City’s King’s Head tavern, which became the Company’s "home" for some years, until it moved to three rooms in the nearby London Tavern, by which time the chronometer maker FJ Barraud had come up with the idea of setting up a clockmaker’s library", explains Sir George.

    Barraud wrote to some of the great English makers, asking for donations of books to get the library established. For the first few years it was looked after by Benjamin Lewis Vulliamy – later five times Master of the company and clockmaker to George IV, William IV and Queen Victoria – who kept the collection on shelves at his Pall Mall shop.

    In 1814, Vulliamy went to the estate sale of the late Alexander Cummings and bought, on the Company’s behalf, a silver half-seconds beating watch, a pair of regulator pallets and the short duration timekeeper made for Captain John Phipps’s Polar voyage of 1773.

    This established the idea of adding objects to the library, and further donations began to arrive, at which point the committee decided to set an aim of "procuring some of the works of the first makers in order to form a series embracing the most distant dates possible".

    Brimming with enthusiasm for the project, the committee voted in 1817 that £20 should be given to Vulliamy to buy a piece of furniture to house the growing collection, so he found a secondhand mahogany bureau which was set up in the King’s Head and fitted with elaborate locks.

    By 1819, the company had 110 books, 48 watches or movements, 12 drawings and the items bought from the Cummings sale as well as its ancient livery records – including a menu for the Clockmaker’s Midsummer Quarter Court of July 1692 showing that such luminaries as Joseph Knibb, Thomas Tompion and Henry Jones dined that day on mutton and cauliflower, beef, goose and fowl.

    Things continued apace until the mid-19th century, but following Vulliamy’s death in 1854 the museum project lost direction and, in 1871, the only surviving member of the Company’s library committee, John Grant, suggested that the collection should be displayed in Guildhall Library.

    The museum opened to the public in 1873 and the collection continued to expand and acquire important exhibits, including John Harrison’s fifth marine chronometer bought in 1891 for £105, and the earliest surviving self-winding watch – made by Breguet – which belonged to Tsar Nicholas I.

    In 1894 the collection was lit by electric light for the first time, increasing visitor numbers to the extent that the librarian noted that "the edges of the upper cases have become much worn and rubbed...  and the wood is beginning to suffer from the boots of the visitors".

    Had it not been for the move to Guildhall it seems unlikely the collection would have survived, let alone been expanded, although it did fade into obscurity after 1945, when Vulliamy’s £20 bureau was seconded by a clerk for use in another part of the building.

    It appears that he eventually took it home with him, as a few years ago it turned up in a west country auction where it was bought by a dealer who spotted a bookplate of the Clockmaker’s Company inside one of the drawers.

    He contacted Sir George, who found the bookcase described in the Company’s records, and it has now been returned to its true home and forms an important exhibit in the museum, housing some of the first pieces bought by Vulliamy.

    During the course of the first inventory since 1858, which Sir George carried out 19 years ago, the Company’s chest also turned up, along with its keys.

    It was clearly the first time that the box had been opened for more than 150 years, because it contained items said to be missing in the previous inventory.

    But there is more to this remarkable museum than just history.

    Its existence helps ensure a future for the clock and watch makers of today by promoting interest in modern horology.

    The first display cabinet visitors encounter is sponsored by the celebrated English watchmaker Dr George Daniels and contains examples of work by contemporary makers, such as the Isle of Man’s Roger Smith, proof positive that the craft of horology is once again set to thrive in Britain.

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The Collection and Library of the Worshipful Company of Clockmakers at Guildhall Library, Aldermanbury, London EC2 is open to the public Monday to Saturday from 9.30am to 4.30pm, but closed one morning a week for rewinding, usually Monday. Admission is free.

Tel: +44 (0) 20 7332 1868. www.clockmakers.org

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Pictured at the top of this post is John Harrison's Marine Chronometer Number 1.

Harrison and his series of revolutionary chronometers which, for the first time, allowed the calculation of exact longitude at sea and subsequently enabled the rise of Britain as a world power, were the subject of Dava Sobel's surprise 1998 bestseller, "Longitude."

November 17, 2005 at 12:01 PM | Permalink | Comments (2) | TrackBack

Instant Closet

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Running out of closet space?

Ha — there's an understatement.

Well, here's a stopgap.

Put the metal frame together, stick the wheels on, drape the cotton canvas cover over it, then lay the four cedar floor slats on the bottom and you've got a solution.

Zip the front and no one need know what's inside.

Believe me — no one wants to.

Measures 64"H x 35"W x 19.5"D

$69.99 here.

November 17, 2005 at 11:01 AM | Permalink | Comments (0) | TrackBack

For The Twentieth Century — by Frank Bidart

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Bound, hungry to pluck again from the thousand
technologies of ecstasy

boundlessness, the world that at a drop of water
rises without boundaries,

I push the PLAY button:—

. . . Callas, Laurel & Hardy, Szigeti

you are alive again,

the slow movement of K.218
once again no longer

bland, merely pretty, nearly
banal, as it is

in all but Szigeti's hands

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Therefore you and I and Mozart
must thank the Twentieth Century, for

it made you pattern, form
whose infinite

repeatability within matter
defies matter—

Malibran. Henry Irving. The young
Joachim
.They are lost, a mountain of

newspaper clippings, become words
not their own words. The art of the performer.
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November 17, 2005 at 10:01 AM | Permalink | Comments (0) | TrackBack

Official bookofjoe wallet

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Is this starting to get old?

Probably — I am extremely persistent and that can become annoying, just as a little drip from a sink, repeated once every few seconds, will keep you awake until you do something about it.

One nice touch with this latest addition to my burgeoning stable of officially–approved products is the name they've given to my favorite green: "Verdi."

Verdi?

Since when did Giuseppe become a wallet color?

I guess it's an Italian thing, what with the wallet's outer color, black, being rechristened "Nero."

$65 here.

Good place to stash all the cash pouring in from your latest invention (!).

November 17, 2005 at 09:01 AM | Permalink | Comments (0) | TrackBack

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