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February 22, 2019

Campbell's Souper Dress


1966-7; screen print on cotton paper; in the collection of the Metropolitan Museum of Art, whose description of the piece follows.


As art historian Marco Livingstone has stressed, Pop Art was never a circumscribed movement with membership and manifestos.

Rather, it was a sensibility emergent in the 1950s and rampant in the 1960s.

Andy Warhol (who began his career as a fashion illustrator) had been painting Campbell's soup cans since 1962.

Such advertising icons, along with cartoons and billboards, yielded a synthesis of word and image, of art and the everyday.

Fashion quickly embraced the spirit of Pop, playing an important role in its dissemination.

The paper dresses of 1966-7 were throwaways, open to advertising and the commercial.

February 22, 2019 at 04:01 PM | Permalink | Comments (1)

Drug smuggling dolls during the Civil War


What's old is new again.

The caption for the photo above, which accompanied an art daily story: "A Civil War-era doll dubbed Nina lays on an imaging table at Virginia Commonwealth University's Medical College of Virginia hospital radiological center in Richmond, Va., Wednesday, Oct. 27, 2010. Nina and another doll, Lucy Ann, thought to have been used to smuggle medicine past Union blockades, were X-rayed Wednesday, disclosing hollowed papier-mache heads that once could have contained quinine or morphine for wounded or malaria-stricken Confederate troops."

Here's the art daily piece.


Two 150-Year-Old Civil War Dolls Get X-Rayed at VCU Medical Center for Signs of Smuggling

Two Civil War-era dolls thought to have been used to smuggle medicine past Union blockades were X-rayed Wednesday, disclosing hollowed papier-mache heads that once could have contained quinine or morphine for wounded or malaria-stricken Confederate troops. 

The 150-year-old dolls, dubbed Nina and Lucy Ann, were likely packed with the drugs and shipped from Europe in the hope that Union troops would not inspect toys when looking for contraband, a museum official said. 

Nina and Lucy Ann [below]


were taken to VCU Medical Center from their home next door, The Museum of the Confederacy, to see if the contours inside their craniums and upper bodies were roomy enough to carry the medicines. 

The conclusion: yes. 

The next step could be forensic testing for any traces of the drugs. 

The dolls were given to the museum by donors who said they were used to smuggle medicine past Northern blockades to Southern troops. 

Nina [below, being prepared for her X-ray]


was donated to the museum in 1923 by the children of Gen. James Patton Anderson, who commanded the Tennessee Army of the Confederacy. She has red felt boots. 

Lucy Ann [X-ray below],

Lucy Ann

attired in a salmon-colored cape and dress, was given to the museum in 1976 by an anonymous donor. She is adorned with a coral necklace. 

Lucy Ann has an open gash on the rear of her bonneted head, possibly made when its contents were emptied. Nina was likely disassembled then stitched back together. 

Museum officials believe the dolls were in fact used for smuggling in the Civil War. 

"In all of the research that I have been able to do, these are the only two confirmed smuggling dolls that I've been able to find," said Catherine M. Wright, collections manager at the museum. The X-rays were conducted as part of the museum's continuing research of its vast Confederate holdings, believed to be the largest in the U.S. 

"People have been so interested in children's toys and dolls from the Civil War in general," she said. "The smuggling aspect is very captivating." 

Wright carried the dolls, each 2 to 3 feet long, in a box [below]


to the radiology department of the hospital. 

Registered technologist Lanea Bare gently placed each doll on the X-ray table, taking images of each facing up, then on their sides. Ghostly images were then displayed on a screen in the busy radiology department, drawing stares and wisecracks from passing doctors and technicians as the dolls lay neatly back in their box. 

"Looking here, this looks like a cavity in the head and upper chest," said Dr. Ann S. Fulcher, pointing to Nina's image [below]


on the screen. "That's probably where the majority of the goods, the medicine, was put." 

The hospital visit was free-of-charge. 

The dolls' heads and shoulders are stitched to the bodies, which are stuffed with wool or cotton. Safety pins used to secure their clothing, including undergarments, were visible in the X-rays. 

The museum knows little about the dolls' silent service to the Confederacy. 

One theory is that they were purchased in Europe, then shipped to a Southern port with the medicines stuffed in their heads to avoid detection by the North's blockade of Southern ports. 

"The idea behind the smuggling dolls is that even if a ship was boarded and searched, it was unlikely that they were going to do such a thorough search that they would find this medication hidden inside of dolls," Wright said. 

The blockade from 1861 until 1865 was intended to thwart the delivery of arms, soldiers and supplies such as medicine to the South. Rhett Butler, the fictional rogue in Margaret Mitchell's "Gone With the Wind," was a blockade runner. 

A well-known illustration from the period shows a woman tying bundles of medication under her hoop dress for delivery to Confederate troops, Wright said. 

Once the dolls reached a port, the powdered quinine would be pressed into pills for Southern troops, Wright said. 

Malaria was widespread among Union and Confederate troops. Some 900,000 Union troops contracted malaria during the war, leaving 4,700 dead, according to the "Medical and Surgical History of the Civil War." 

Statistics for Southern troops were not compiled but malaria was probably more widespread, said Robert Krick, park historian at the Richmond National Battlefield Park, which includes the site of the Confederacy's largest hospital. 

Wright, the museum collections manager, was elated after the examination. 

"This has been really thrilling," she said. "It's not often that you get to research a topic that one else has ever worked with before."


February 22, 2019 at 02:01 PM | Permalink | Comments (1)

"Memories of Passersby I" — Mario Klingemann

From Sotheby's: "'Memories of Passersby I' is a machine installation that uses neural networks to generate an infinite stream of portraits."

February 22, 2019 at 12:01 PM | Permalink | Comments (0)

This is only place on the internet where you can instantly see your name in lights

Mikta Rission

It just occurred to me the other day that with more and more websites shutting down their comments sections or moderating them, it's getting harder and harder to say whatever it is you have to say and see the words onscreen.

Except for one holdout: me.

Since 2004 and still unchanged, my Comments section has lived on the right side of the homepage, with commenters' names — real or fake, I don't care — displayed for all to see, the most recent up top.

Sure, about 90%  of the time TypePad's broken code takes you to a 404 Page Not Found instead of posting your insight but hey, you can't have everything.

Or as one sage remarked in another context, "It hurts to be beautiful."

February 22, 2019 at 10:01 AM | Permalink | Comments (0)

Tilt Salt Dish


From the website:



This salt dish can be tilted on its end for storage, preventing unwanted bits from falling inside.


Features and Details:

• 3.5"W x 3.5"L x 1.5"H

• Partially glazed stoneware

• Hand made in Portland, Oregon



$36 (salt not included).

February 22, 2019 at 08:01 AM | Permalink | Comments (0)

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