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October 16, 2021

Blanket Octopus

October 16, 2021 at 04:01 PM | Permalink | Comments (0)

World's largest functioning toothpick structure

Screen Shot 2021-10-01 at 10.17.00 PM

It took its creator, Scott Weaver (pictured) 37 years and 100,000 toothpicks to complete.

From Exploratorium:

Scott started building toothpick sculptures in 1968, when he was 8 years old.

Early structures were abstract and about 2–4 feet tall.

Then he built one sculpture that had a ping-pong ball roll through it.

In 1974, Scott started a new sculpture and added the Golden Gate Bridge and Lombard Street, which also had a ping-pong ball roll through it.

This is what started what is now "Rolling Through the Bay" (below).

Over the years Scott has worked on "Rolling Through the Bay" on-and-off, sometimes not working on it for years at a time so as to do other projects and get married to his beautiful wife, Rochelle, and have a wonderful son, Tyler.

Scott loves working with toothpicks and hopes to do so for years to come.

Regarding his toothpick of choice, he said, "I've used Diamonds, Forsters, Ideals, Penleys... Richwoods were the best, back in the nineties. Now I use Diamonds because they're the most accessible for strength, they're birch still, I think."

October 16, 2021 at 02:01 PM | Permalink | Comments (0)

You've got 351,507 unread emails

351k emails

Not you, booboo, but somebody (top left).

The graphic up top led an interesting piece by Benedict Evans; it follows.

Stepping out of the firehose

I've been collecting pictures like this for a while now, partly because they're hilarious, but mostly because I think they say something interesting about how we find room for digital in our lives. The internet is a firehose. I don't, myself, have 351 thousand unread emails, but when anyone can publish and connecting and sharing is free and frictionless, then there is always far more than we can possibly read. So how do we engage with that?

The first generation of internet services tried to help with filters and settings, but most normal people ignore the settings and don't want to write filters, and so we very quickly went to systems that tried to help automatically. Gmail has its priority inbox, and social networks build recommendation engines and algorithmic feeds. Given that the average Facebook user is apparently eligible to see over a thousand items a day, it seems (or seemed) to make sense to try to show the video of your niece before the special offer from a restaurant you ate at five years ago. So your feed becomes a sample — an informed guess of the posts you might like most. This has always been a paradox of Facebook product — half the engineers work on adding stuff to your feed and the other half on taking stuff out.

Snap proposed a different model — that if everything disappears after 24 hours then there's less pressure to be great but also less pressure to read everything. You can let go. Tiktok takes this a step further — the feed is infinite, and there's no pressure to get to the end, but also no signal to stop swiping. You replace pressure with addiction.

Another approach is to try to move the messages. Slack took emails from robots (support tickets, Salesforce updates) and moved them into channels, but now you have 50 channels full of unread messages instead of one inbox full of unread messages. Google Docs, Figma, or frame.io turn the messages into structure, so at least they're connected to the workflow; Zawinski's Law said that all software grows until it can do messaging, but now every document tries to absorb email, and turn threads into chat and version control.

Conversely, one of the early desire paths on the iPhone was the screenshot, and I think we take screenshots because otherwise whatever we're looking at will be lost in the firehose and we'll never find it again. Yes, you could search, but search where, and for what? Screenshots are the PDFs of the smartphone. You pull something out of the firehose, sever all its links and metadata, and own it yourself.

Email newsletters look a little like this as well. I think a big part of the reason that people seem readier to pay for a blog post by email than a blog post on a web page is that somehow an email feels like a tangible, almost physical object — it might be part of that vast compost heap of unread emails, but at least it's something that you have, and can come back to. This is also part of the resurgence of vinyl, and even audio cassettes.

I wrote earlier this year about Morioka Shoten, a bookshop in Tokyo that only sells one book, and you could see this as an extreme reaction to a problem of infinite choice. Of course, like all these solutions it really only relocates the problem, because now you have to know about the shop instead of having to know about the book. Channeling that, a few years ago there was a hipster denim shop in Tokyo called "Not Found" that hoped it would disappear from search engines and only be discoverable by word of mouth.

These kinds of reactions remind me a little of the Arts and Crafts movement in late 19th century Britain. In 1800, if you'd said that you wanted something "made by hand," that would be meaningless — everything was handmade. But half a century later, it could be a reaction against the age of the machine — of steam and coal smoke and "dark satanic mills." The Arts and Crafts movement proposed slow, hand-made, imperfect craft in reaction to mass-produced "perfection" (and a lot of other things besides). A century later this is one reason I'm fascinated by the new luxury goods platforms LVMH and Kering, or indeed Supreme. How do you mass-manufacture, mass-market, and mass-retail things whose entire nature is supposedly that they're individual, or convince people that a piece of mass-manufactured nylon and plastic is unique?

A lot of the digital firehose is photos. The film-camera industry peaked at 80bn consumer photos a year, but today that number is well into the trillions, as I wrote here. That's probably why people keep making camera apps with built-in constraints, but it also prompts a comparison with this summer's NFT frenzy. Can digital objects have value, and can a signature add scarcity to a JPEG — can it make it individual? Certainly it can, though it doesn’t follow that's what people are actually doing. But the more interesting aspect of "crypto" (or whatever you want to call it) is the idea of a decentralised computing network with incentives (money!) built into the core — as part of the mechanism itself. That ripples out to all sorts of ideas about how all those trillions of pieces of "content" are created, and by whom, and how they're distributed, selected, filtered, and displayed. I don't think that’s a solution, though, just another and sometimes better algorithm.

To come back to those 351 thousand unread emails, in some senses this is a product problem that can be solved, or at least improved, whether it's with Slack, Figma, Snap, or just letting go and turning off the number. But really, it reflects that there are now close to 5bn people with a smartphone, and all of us are online and saying and doing things, and you will never be able to read everything ever again. There's an old line that Erasmus, in the 15th century, was the last person to have read everything — every book that there was — which might not have been literally possible but which was at least conceivable. Yahoo tried to read everything too — it tried to build a manually curated index of the entire internet that reached 3.2m sites before the absurdity of the project became overwhelming. This was Borges's 1:1 scale map made real. So, we keep building tools, but also we let go. That’s part of the progression — Arts and Crafts was a reaction against what became the machine age, but Bauhaus and Futurism embraced it. If the "metaverse" means anything, it reflects that we have all grown up with this now, and we're looking at ways to absorb it, internalize it, and reflect it in our lives and in popular culture — to take ownership of it. When software eats the world, it's not software anymore.

October 16, 2021 at 12:01 PM | Permalink | Comments (0)

Radioactive Tape Dispenser

[This 3M tape dispenser (1970s/1980s vintage) is weighted with a solid ballast of sand and resin. However, they inadvertently used monazite sand, which contains elevated amounts of thorium. The result is a radioactive tape dispenser.]

My Crack Gotham Correspondent©® sent me this link the evening of October 3 following my post that morning featuring my favorite tape dispenser, which appears in a radioactive iteration in the video up top.

From the Oak Ridge Associated Universities Museum of Radiation and Radioactivity:

This is a 3M Model C-15 Decor Scotch tape dispenser.

Screen Shot 2021-10-10 at 10.42.43 AM

It is slightly radioactive due to the thorium-containing monazite sand that was used as ballast.

The brown sand, mixed with an epoxy resin, can be seen in the photograph below

Screen Shot 2021-10-10 at 10.42.42 AM

where the rubber on the bottom of the dispenser has been pulled back.

This particular example came from a 55-gallon drum of tape dispensers that the U.S. Army was about to dispose of as radioactive waste.

My understanding of the story is that a technician at a hospital in Alabama was performing a radiological survey in his office when he discovered that his tape dispenser, I believe it was green, was radioactive.

This was sometime in the late 1970s, or perhaps, early 1980s.

The dispenser was then sent to Oak Ridge Associated Universities where they identified the cause of the radioactivity.

October 16, 2021 at 10:01 AM | Permalink | Comments (0)

Got Pizza?

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Nathan Myhrvold's "Modernist Pizza" — available this coming Tuesday, October 19 — is fo shizzle.

8167ssvCVPS copy

At 1,708 pages, the three-volume set is a combination of encyclopedia, guidebook, science textbook, and cookbook.

8167ssvCVPS

From the Wall Street Journal: "Nerding out with charts on flour particle size and explanations of the Effect of Sauce Reflectivity on Pizza is fascinating fun for both the professional pizza maker and the science-minded eater. The survey of global pizzerias will make you want to pack your passport and and your stretchy pants."

$382.50.

October 16, 2021 at 08:01 AM | Permalink | Comments (1)

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